| 刊名 | Meteorological and Environmental Research |
| 作者 | Licheng LIU1*, Ningru WEN2 |
| 作者单位 | 1.School of Journalism and Communication, Pingdingshan University, Pingdingshan 467000, China; 2. School of Humanities, Wuhan University of Engineering Science, Wuhan 430200, China |
| DOI | 10.19547/j.issn2152-3940.2026.01.006 |
| 年份 | 2026 |
| 刊期 | 1 |
| 页码 | 32~36,44 |
| 关键词 | Meteorological aesthetics; Natural meteorology; Humanistic spirit; Liu Zhicheng; Love Song of the Wind and Clouds |
| 摘要 | As an independent aesthetic category, “meteorology” holds a pivotal position in literary works. The emergence of the category of meteorological aesthetics lies in the observation of philosophical concepts and attitudes towards life contained in the ontology of the universe, and the realization of the aesthetic realm of "unity of man and nature, unity of things and oneself" between humans and nature. Mr. Liu Zhicheng, as a meteorological poet, devoted his life to the cause of meteorology and China's meteorological technology. The poem Love Song of the Wind and Clouds is a portrayal of the poet's life. The book reflects the poet's consistent pursuit of traditional aesthetics and natural atmosphere, and contains the poet's personal insights into his own spirit and life ideals, with extremely high poetic value. Therefore, this paper takes a new perspective of meteorological aesthetics theory and aims to explore the aesthetic relationship between natural meteorology and humanistic spirit, in order to appreciate the spiritual charm and aesthetic connotation in Liu Zhicheng's poetry collection Love Song of the Wind and Clouds. |
